This bracelet was an experiment in free-form weaving. Not free form as in absent warp and weft, but free form as in design. I had no plan when I started, other than it should be dark and goth-like.
It was intended as a gift for someone, but alas, I have not yet perfected sizing my loom pieces, and it fell short of her wrist. Pooh!
That said, I remain pleased with it. The clasp is pleasantly hefty and solid, the woven band is nicely tactile. With the sizing exception, it turned out well.
The black background highlights the Mardi Gras colored design, with it’s peaks and ogees.
This bracelet reminds me of the small forget-me-not flowers I used to see as a child. They were always one of the first harbingers of Spring, popping up to remind one there was sunshine and warmth and longer days ahead.
The green base is bead woven on a loom. I liken it to the stems and leaves of the flowers. It was then enhanced with matte periwinkle circles, each one dotted with a yellow center. A tiny blue picot surrounds the edge, and protects the warp and weft from wear. (Try saying that three times fast!)
Shhh! Don’t tell, but this is a birthday present for a dear friend who is an awesome gardener. I hope she likes it.
Yup, there they were hanging out on the street corner. Smoking unfiltered cigarettes. Being obnoxious and unkind to passers by. Acting like they owned the world and could do whatever they liked. Rude and uncivilized, these beads were.
So,w hat happened? Was it poor parenting on my part? Did they not like their comfy spot in the bin with the other reds and pinks? Nope. Not at all.
I left the beads, and the necklace made with them sitting in the sun on the beading table. For a couple months. Thinking not much about it. Until I went to use them in another project. Just a few dashes of hot pink would set things off. Only to find that as I started stitching quite a number of them needed to be culled. Their color was off. Way off!
It turned out these were an early purchase, probably when Miyuki first came out with galvanized colors. The older beads were not color fast. They had sat merrily in the strong Nevada sun, bleaching themselves from pink to magenta to rust. Bad beads! Bad!
Research revealed that newer beads no long suffer this tragic fate. I ordered a new batch. BUT, just to be sure, they sat in the window for a solid month. I wasn’t taking any chances.
Then I cut Tuxedo Waves apart, and re-did it with beads that would last.
And those bad beads? They’re back in their flip-top waiting for another project. Something will come along where fading beads will be called for? Maybe a design based on a horror story?
Is gorgeous, if I do say so myself.
I’ve wanted to make another beaded face brooch for ages. It just took a while to match the face with the cabochon. Ophelia is just over 2 inches tall, and about 1 1/2 inches wide. Large enough to be seen, but not so large as to be bulky.
The face is carved something-or-other from Tucson. I think it’s some sort of bone. I know it’s not proscribed ivory.
The body cabochon is dichroic glass from Weir Glass Studios. Andrea Weir does some of the most beautiful glass, don’t you think?
The dragonfly highlights of the cabochon are echoed by the bugle beads. I used lime and kelly green, accented with silver seed beads and chartreuse AB crystals.
The bezel is a mix of matte charcoal 15°s and milky white 11°s.
Ophelia will give a nice pop of color to that little black sweater I wear all the time.
A little something to keep the hands busy.
Bead crochet necklace with a hefty focal. I think it may be agate? Not sure. If anyone reading this can identify the stone, let me know. it looks like grey marble, but is not. That much I am sure of.
Anyway, there’s sparkle along the back, courtesy of some silver lined grey 6ºs, while the front is a lumi mix, which is a little of everything earth toned.
The clasp is a hammered gunmetal toggle. The focal pulls it all together.
The necklace rests right at the collar bone, so is suitable for wearing with casual as well as dressier attire. I modeled it with a black v-neck sweater.
Light and fluffy on the wrist, some autumnal colors to go with our cooler weather. Before you ask, yes, these are felted balls, and no, I did not felt them. I cannot say they are beads, because they do not come with a hole through the center. That, I had to do…with a very large tapestry needle.
Colors of fall – rich browns and golden yellows, each highlighted with some whimsical beady accents. The beaded cones are a variation of herringbone stitch. They are also a much brighter gold than what they photographed. Everything strung together with deep brown and red-gold crystals.
This reminds me of the Flintstones – maybe something Betty Rubble would wear? Large, but not at all uncomfortable. Light, in fact.
We see and hear that phrase all the time: Buckle Up! It’s the LAW!
There are no laws associated with this bracelet! And if there were, they would be ripe for the breaking!
A bit of Edge.
A Dash of Daredevil.
A Soupçon of Steampunk.
Time to bring out your Inner Wild!
Or just be your usual demur, composed self, and let everyone wonder what you’ve been up to…
Single and 2-drop peyote stitch. The main band composed of size 8 triangles, with the anchor and slip of size 15s. A pair of hefty D-rings to cinch everything together, with a touch of velcro underneath to be sure it all stays in place.