I saw these little ceramic owls in the discard pile at the local bead shoppe (aren’t all bead stores a shoppe?) and knew they deserved better. They were just laying there, asking for some passer-by to please give a hoot about them. That was me. Hoot! Hoot!
They were so full of color and personality they didn’t need much to make them soar.
I pulled the primary colors of the spiral focal from the owls – bright red, mauve and baby blue. The rest of the necklace is a lovely dove grey which compliments the brightness of the owls. I’m not enough of a bird watcher to know if owls and doves coexist in the wild, but in beading they certainly do.
This bracelet was an experiment in free-form weaving. Not free form as in absent warp and weft, but free form as in design. I had no plan when I started, other than it should be dark and goth-like.
It was intended as a gift for someone, but alas, I have not yet perfected sizing my loom pieces, and it fell short of her wrist. Pooh!
That said, I remain pleased with it. The clasp is pleasantly hefty and solid, the woven band is nicely tactile. With the sizing exception, it turned out well.
The black background highlights the Mardi Gras colored design, with it’s peaks and ogees.
This bracelet reminds me of the small forget-me-not flowers I used to see as a child. They were always one of the first harbingers of Spring, popping up to remind one there was sunshine and warmth and longer days ahead.
The green base is bead woven on a loom. I liken it to the stems and leaves of the flowers. It was then enhanced with matte periwinkle circles, each one dotted with a yellow center. A tiny blue picot surrounds the edge, and protects the warp and weft from wear. (Try saying that three times fast!)
Shhh! Don’t tell, but this is a birthday present for a dear friend who is an awesome gardener. I hope she likes it.
Or something to that effect. It’s been a while since I’ve ready Edgar Allen Poe, still his writing does stick with one.
This necklace is for no particular reason other than finding some very uniaue Day of the Dead pewter bird skulls. If you look closely at the photo below, you can even see they’re decorated with bas relief rosettes. How cool is that!
The focal is a mix of shiny and black matte beads, with small pops of color to keep the piece lively rather than funereal. Digging through the stash unearthed (pun intended) some pewter skulls which are randomly strung on the neck strap.
Carolina, with every color under the rainbow. Or very near to it.
A necklace with paper collage and beaded surround. She’s been just the bright and lively ticket to chase away the doldrums.
She smiles. She twinkles. I bet she even has a secret she’s not sharing.
Ah yes, all those bright beaded pieces. Where ever have they gone?
This bracelet is a thank you gift for someone who helped me out a while back. She has a darker more goth sensibility. I hope she likes it.
Two different types of purple two-hole crescent beads, mixed with black crescents and bars. The magnetic clasp is gunmetal.
The bracelet is simple stringing, though you have to be careful to keep the crescent beads properly aligned. Those curvy little devils like to turn backwards, which I usually don’t discover until I’ve gotten several more beads away. Who me? Pay attention?
This necklace is my second commission ever! I think it turned out great. It’s a lovely mix of candy colored 6° seeds crocheted into a rope, inspired by one I made for myself, Old Tyme Candy.
This one is longer, and has more sparkle. The new owner is a tiny person, so she can wear it doubled, as a short necklace, or full length, in a 20s flapper style.